Papers are listed alphabetically by author

The Assessment Pivot: Using Generative AI to Restore Academic Integrity (abstract)

Nathan Adam, Belmont University

Teaching Music Business to non-Music Industry Music Majors (abstract)

Carl Anderson, Bradley University

Popular Music in the Borderland —Sweden and  Norway (abstract)

Jonas Bjälesjö, University of Inland Norway

Teaching International Music Business (abstract)

Don Cusic, Belmont University

ABBA Voyage: A Blueprint for the Future of Live  Entertainment?

Mehmet Dede, University of Hartford

Start Me Up! Preparing Students for a Successful Career Launch—Five Essential Strategies (abstract)

Mehmet Dede, University of Hartford

AI Mixing Tools: Using Artificial Intelligence to Enhance Human Intelligence (abstract)

Frank Dremel, Middle Tennessee State University

Advocating for Netnography in Music Business Research: A Methodological Fit for the Platform-Based Music Economy

Erin Duvall, Belmont University

The Business of Storytelling: Building Audiences Through Emotional Connection (abstract)

Ray Eddy, University of Central Florida

The Future of Music in the Key of AI: Resisting the Rise of Disposable Art (abstract)

Daniel T. Green, Carnegie Mellon University

Kevin Stein, Carnegie Mellon University

Youth on Record: How a Non-profit Has Built an Innovative Model to Support the Local Music Industry (abstract)

Storm Gloor, University of Colorado, Denver

The Skeptic and the Co-Pilot: On Teaching AI Literacy in the Commercial Music Curriculum 

Charlie Han, Utah Valley University

Country Music: Sound or Subject? (abstract)

Dan Galen Hodges, Jr., Belmont University

Double Platinum: Exploring Gender Representation in the Music Industry Through Experiential Learning (abstract)

Monika Julien, Drexel University

An Examination of the Decline of Bands in the Top 20

Yvan Kelly, Flagler College

The Windmill Scene: Branding and the Development of Genre in Popular Music (abstract)

Paul Linden, University of Southern Mississippi

A Coat of Many Colors: Teaching Authentic Voice and Artist Identity Through the Songwriting of Dolly Parton (abstract)

Jodi Marr, Belmont University

Thomm Jutz, Belmont University

Multi-Sensory Innovation in Contemporary Classical Performances: A Business Strategy (abstract)

 Jessica Muñiz-Collado, University of North Texas

From the Milk Bar to Mega-Festivals: The Danny Wimmer Playbook (abstract)

 Jeremy Polley, The University of South Carolina

Consumer Experiences of Vinyl Record Variant Purchases (abstract) 

Waleed Rashidi, California State University, Fullerton

Nirvana: Thirty Years of Media Coverage (abstract)

Waleed Rashidi, California State University, Fullerton

Valerie Madrid, California State University, Fullerton

The Power of Prosody: How Musical Choices Tell a Story Beyond the Lyrics 

Bess Rogers, Middle Tennessee State University

Déjà Vu All Over Again: Lessons for the AI Music Era (abstract) 

Howie Singer, New York University

Bill Rosenblatt, New York University

AI Authentication: Audio Provenance and Protection Through Artificial Intelligence. How Technologies Threatening Artistic Ownership Can Also Safeguard Creativity and Intellectual Property (abstract) 

Justin Sinkovich, Columbia College Chicago

The Fair Use Fault Line: Courts, Creativity, and the Future of Transformation? (abstract)

Greg Smith, The University of South Carolina

Armen Shaomian, The University of South Carolina

Unequal Protection? Song vs. Sound Recording Copyrights (abstract)

Stan Soocher, University of Colorado Denver, Emeritus

From Creators to Engineers: Understanding the Motivations of Audio Production Students in Music Education, Data and Results (abstract) 

William Thompson, The University of Southern Mississippi

Paul Linden, The University of Southern Mississippi

Authentic Assessment for Arts and Entertainment: Keeping it Real and Managing AI Appropriately (abstract)

Jason Torrens, Australian College of the Arts

The Music Industry as an Entrepreneurial Ecosystem (abstract)

Charlie Wall-Andrews, Toronto Metropolitan University

Music Tours as Economic Stimuli in Smart Cities: A Comparative Analysis of Non-Traditional Venue Use (abstract)

Hal Weary, California State University, Dominguez Hills

Forensic Musicology: Digital Theft and Criminality in Music (abstract) 

Shawn Young, York College of Pennsylvania