2019 40th Annual MEIEA Educators Summit Full Program
Abstracts are included at the bottom of the PDF attached here!
Wednesday, March 20, 2019 |
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5:00 pm – 9:00 pm |
MEIEA Board Meeting |
JAAC 4th Floor Conf. Room A/C |
Thursday, March 21, 2019 |
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8:00 am -12 pm |
MEIEA Board Meeting |
Inman 405 |
12-1:30 pm |
Registration |
JAAC 4th Floor Conf. Room A/C |
1:30 pm (1 hr) |
Roundtable 1: Freshman Onboarding and Student Wellness Moderator: Terry Tompkins, Hofstra University |
JAAC 4th Floor Conf. Room B/D |
2:45 pm (1 hr) |
Panel 1: Legal Update John Simson, American University |
JAAC 4th Floor Conf. Room A/C |
4:00 pm (1hr) |
Panel 2: The Music Licensing Collective & Music Modernization Act (Creation & Implementation) Panelists: Odie Blackmon, Middle Tennessee State University; Bart Herbison, Nashville Songwriters Association; Steve Bogard, NSAI; Colin Rushing, SoundExchange |
JAAC 4th Floor Conf. Room B/D |
5:30 – 7:00 pm |
Celebration: MEIEA 40th Summit Celebration Party Location: BMI, 10 Music Square East |
BMI |
Friday, March 22, 2019 |
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8 am – 5 pm |
Summit Check-in and Walk-up Registration |
JAAC Conference Room Foyer |
8:00 am (1hr) |
Academic Papers: Session 1 · Local Minimum Content Requirements on Commercial Radio: An Australian Case Study Chrissie Vincent, Australian College of the Arts · “You're Tearing Me Apart”: Deconstructing Mise-en-Scène in Rebel Without A Cause Jason Lee Guthrie, Samford University Moderator: Victoriano Darias, Berklee College of Music, Valencia |
Frist A |
8:00 am (1hr) |
Academic Papers: Session 2 · Immersive Learning: Music Industry Simulation as a Pedagogical Approach Jerry Brindisi, Columbia College Chicago · Drinking from Olivia Pope’s Wine Glass: Fan Communities and the Impact of Parasocial Relationships on Consumption Behaviors Morgan M. Bryant, Belmont University; Janée Burkhalter,St. Joseph’s University; Natalie Wood, St. Joseph’s University Moderator: Stan Renard, The University of Texas at San Antonio |
Frist B |
9:15 am (1 hr) |
Academic Papers: Session 3 · The Asian Music Industry Don Cusic, Belmont University · The Viability of the American Federation of Musicians in the 21st Century Dick Weissman, University of Colorado, Denver Moderator: Cheryl Slay Carr, Belmont University |
Frist A |
9:15 am (1 hr) |
Academic Papers: Session 4 · Key Learnings from an International Social Entrepreneurship Collaboration: Songs to Change Our World Monika Herzig, Indiana University; Kristina Kelman, Queensland University of Technology; Andrew Krikun, Bergen Community College; Stephen Ralph Matthews, University of Auckland, Yanto Browning, Queensland University of Technology · Social Entrepreneurship as an Element of the Inbound Marketing Model for Musicians Hal Weary, California State University, Dominguez Hills Moderator: Gloria Green, Middle Tennessee State University |
Frist B |
9:15 am (1 hr) |
Academic Papers: Session 5 Did you hear “7 Rings” or “My Favorite Things”? Ariana Grande’s Spin on a Classic Rodgers and Hammerstein Song Could Have Lasting Impact on an Iconic Brand and the Bottom Line Melissa Wald, Middle Tennessee State University · Streaming Mechanicals and the War on Spotify Don Gorder, Berklee College of Music Moderator: Michelle Conceison, Middle Tennessee State University |
JAAC 4th Floor Conf. Room B/D |
10:30 am (1 hr) |
Panel 3: Rights, Rates and Royalties in the Digital Music Space: Songs and Sound Recordings Serona Elton, University of Miami Todd Brabec, USC Thornton Jeff Brabec, BMG Chrysalis |
JAAC 4th Floor Conf. Room B |
12:15 pm |
Luncheon |
JAAC 4th Floor Conf. Room A |
1:30 pm (1 hr) |
Keynote: Ben Vaughn, President, Warner/Chappell Nashville |
JAAC 4th Floor Conf. Room A/C |
2:45 pm (1 hr) |
Academic Papers: Session 6 Teaching Ethics in the Music Industry Curriculum Christopher M. Reali, Ramapo College of New Jersey · Searching for Sophia in Music Production: A Comparative Study of the Swedish Music Industry’s Impact on Future Higher Education in Music Jan-Olof Gullö & Hans Gardemar,Royal College of Music, Sweden Moderator: Julie Viscardi-Smalley, Johnson & Wales University |
Frist A |
2:45 pm (1 hr) |
Academic Papers: Session 7 · A Strong Wind Could Blow It Over: Understanding the Fragile State of Music Blockchain Development in Contrast to the Antifragile State of Blockchain Tech Generally George Howard, Berklee College of Music · Immersive Experiences: The Future of Live Music and VR Jeff Apruzzese,Drexel University Moderator: Robert Willey, Ball State University |
Frist B |
2:45 pm (1 hr) |
Academic Papers: Session 8 · What are the Factors in the Artist-Label Relationship that Positively Influence Creative and Commercial Success? Rob Cannon,Australian Institute of Music · Teaching Artist Management Virtually Through Stages of the Artist Career Terry Tompkins, Hofstra University Moderator: Monika Herzig, Indiana University |
JAAC 4th Floor Conf. Room B/D |
4:00 pm (1.5 hrs) |
Roundtable 2: Road to Publication Moderator: Keith Hatschek, University of the Pacific |
JAAC 4th Floor Conf. Room B/D |
4:00 pm (1.5 hrs) |
Academic Papers: Session 9 · Adding Flavor with Kahoot! Eric Holt & Amy Smith, Belmont University · College Rock Music Festivals in India as Industry-Based Education Kristina Kelman, Queensland University of Technology; David Cashman, Southern Cross University · Utilizing Active Learning and Backwards Design to Articulate Learning Outcomes and Maximize Student Learning: An Integrating Model of Formative and Summative Assessment Joseph (Joe) Miglio,Berklee College of Music Moderator: Melissa Wald, Middle Tennessee State University |
Frist A |
4:00pm (1.5 hr) |
Academic Papers: Session 10 · “Second Verse, Same as the First?” An Examination of the Evolution of Entertainment Management Academics Andy Gillentine & Armen Shaomian, University of South Carolina · Redefining the Role of the Sound Engineer: Applying the Theories of Cage, Schafer, and Lomax Towards Establishing a Critical Cultural Approach to Sound Engineering Jonathan P. Pluskota, University of Southern Mississippi · Black Box Royalties are Coming: Courtesy of the MMA John Simson, American University Moderator: Scott LeGere, Minnesota State University, Mankato |
Frist B |
Saturday, March 23, 2019 |
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8:00 am (1 hr) |
Roundtable 3: Entrepreneurship Moderator: Monika Herzig, Indiana University |
JAAC 4th Floor Conf. Room B/D |
9:15 am (1 hr) |
Academic Papers: Session 11 · Mechanical Licensing Before and After the Musical Works Modernization Act Serona Elton, University of Miami · Publishing Photograph That Had “Gone Viral” Ruled Copyright Infringement: Otto v. Hearst Publications, Inc. Vincent Peppe, Belmont University Moderator: Stan Renard, The University of Texas, San Antonio |
Frist A |
9:15 am (1 hr) |
Academic Papers: Session 12 · New York 5 to 9: Studying the City That Never Sleeps Mehmet Dede, The Hartt School at the University of Hartford · Engaging Students in the Advancement of a Music Economy: A Case Study Storm Gloor, University of Colorado Denver Moderator: Christopher Reali, Ramapo College of New Jersey |
Frist B |
9:15 am (1 hr) |
Academic Papers: Session 13 · The Development of the Artist-Fan Engagement Model Sarita M. Stewart, Belmont University · Constructing Credibility: How Aggrandizement Helps Perform an Identity of Legitimacy and Self- Worth in a Creative Industry David Schreiber, Belmont University; Alison Rieple, University of Westminster Moderator: Keith Hatschek, University of the Pacific |
JAAC 4th Floor Conf. Room B/D |
10:30 am (1 hr) |
Academic Papers: Session 14 · What they Post, Where they Post and When they Post It: A Content Analysis of Social Media Use of the Top 50 Artists in 2018 Ulf Oesterle, Syracuse University · Using Movies to Teach Music Business Clyde Rolston, Belmont University Moderator: Misty Jones Simpson, Middle Tennessee State University |
Frist A |
10:30 am (1 hr) |
Academic Papers: Session 15 · Composing Copyright: Music and Image in American Intellectual Property Law Jason Lee Guthrie, Samford University · Technological Disruption and Music Copyright Victoriano Darias, Berklee College of Music, Valencia Moderator: Don Gorder, Berklee College of Music |
Frist B |
10:30 am (1 hr) |
Academic Papers: Session 16 · Teaching Digital Marketing and Social Media Strategy for the Entertainment Industry Justin Sinkovich,Columbia College Chicago · How Marketing Professionals Use and Staff Social Media Efforts in Entertainment Venues Phillip Rothschild, Missouri State University Moderator: Shawn David Young, York College of Pennsylvania |
JAAC 4th Floor Conf. Room B/D |
11:45 am (1 hr) |
Keynote: Jessie Huang, Director, Copyright Compliance, Tencent Music Entertainment Group Translator: Dr. Zhang Fengyan, University of China |
JAAC 4th Floor Conf. Room A/C |
1:00 pm (1.5 hrs) |
Lunch and Membership Meeting |
JAAC 4th Floor Conf. Room A |
2:45 pm (1 hr) |
Academic Papers: Session 17 · Staying Relevant: How a Radio Behemoth Has Weathered the Storms of Change to Survive in the New Media Market of the 21st Century Kim Wangler, Appalachian State University · Lessons Learned from the Master of Space and Time: Leon Russell Andy Gillentine, University of South Carolina Moderator: Armen Shaomian, University of South Carolina |
Frist A |
2:45 pm (1 hr) |
Academic Papers: Session 18 Now Available on Cassette—Again: Record Retailer Experiences of Current Cassette Tape Waleed Rashidi,California State University, Fullerton · Beyond the Grave: Variables Contributing to Increased Music Consumption after an Artist’s Death Stan Renard & Richard T. Gretz, The University of Texas at San Antonio Moderator: Chrissie Vincent, Australian College of the Arts |
Frist B |
2:45 pm (1 hr) |
Academic Papers: Session 19 · Sweetwater Sound: The WHY, HOW, and WHAT Behind the Success Robert Willey, Ball State University · How the Drop Changed Pop: The Influence of Dubstep in Modern Pop Song Form and Production Missy Jones Simpson, Middle Tennesee State University Moderator: Carl Anderson, Bradley University |
JAAC 4th Floor Conf. Room A/C |
4:00 pm (1 hr) |
Roundtable 4: Student Record Label Funding Moderator: Shawn David Young, York College |
JAAC 4th Floor Conf. Room B/D |
5:30 pm (3.5 hrs) |
MEIEA Board Meeting |
Inman 407 |
MEIEA Summit Schedule 2019.pdf
2019 40th Annual MEIEA Educators Summit Academic Papers
Version: March 21, 2019
Friday March 22, 2019
Session 1 – 8:00-9:00 am – Frist A
Victoriano Darias, Moderator
Local Minimum Content Requirements on Commercial Radio: An Australian Case Study
Chrissie Vincent
Head of Entertainment Management Collarts (Australian College of the Arts)
“You're Tearing Me Apart”: Deconstructing Mise-en-Scène in Rebel Without A Cause Jason Lee Guthrie
Assistant Professor
Samford University
Session 2 – 8:00-9:00 am – Frist B
Stan Renard, Moderator
Immersive Learning: Music Industry Simulation as a Pedagogical Approach
Jerry Brindisi
Associate Professor and Associate Chair, Business and Entrepreneurship; Coordinator, Music Business BA
Columbia College Chicago
Drinking from Olivia Pope’s Wine Glass: Fan Communities and the Impact of Parasocial Relationships on Consumption Behaviors
Morgan M. Bryant
Faculty Fellow, Curb College of Entertainment & Music Business
Belmont University
Janée Burkhalter
Associate Professor of Marketing, Haub School of Business St. Joseph’s University
Natalie Wood
Associate Dean & Associate Professor of Marketing, Haub School of Business St. Joseph’s University
Session 3 – 9:15-10:15 am – Frist A
Cheryl Slay, Moderator
The Asian Music Industry
Don Cusic Professor of Music Business Belmont University
The Viability of the American Federation of Musicians in the 21st Century
Dick Weissman
Instructor, University of Denver
Associate Professor Emeritus, University of Colorado Denver
Session 4 – 9:15-10:15 am – Frist B
Gloria Green, Moderator
Key Learnings from an International Social Entrepreneurship Collaboration: Songs to Change Our World
Monika Herzig, Indiana University, United States
Kristina Kelman, Queensland University of Technology, Australia
Andrew Krikun, Bergen Community College, United States
Stephen Ralph Matthews, University of Auckland, New Zealand
Yanto Browning, Queensland University of Technology, Australia
Social Entrepreneurship as an Element of the Inbound Marketing Model for Musicians
Hal Weary
Assistant Professor, Department of Music California State University, Dominguez Hills
Session 5 – 9:15-10:15 am – Janet Ayers Room B/D
Michelle Conceison, Moderator
Did you hear “7 Rings” or “My Favorite Things”? Ariana Grande’s Spin on a Classic Rodgers and Hammerstein Song Could Have Lasting Impact on an Iconic Brand and the Bottom Line
Melissa Wald
Associate Professor, Middle Tennessee State University
Streaming Mechanicals and the War on Spotify
Don Gorder
Chair, Music Business/Management Department Berklee College of Music
Session 6 – 2:45-3:45 pm – Frist A
Julie Viscardi-Smalley, Moderator
Teaching Ethics in the Music Industry Curriculum
Christopher M. Reali
Assistant Professor of Music (Music Industry) Ramapo College of New Jersey
Searching for Sophia in Music Production: A Comparative Study of the Swedish Music Industry’s Impact on Future Higher Education in Music
Jan-Olof Gullö
Professor in Music Production
Royal College of Music, Academy of Folk Music, Jazz and Music and Media Production, Stockholm, Sweden.
Hans Gardemar
Lecturer in Music Production
Royal College of Music, Academy of Folk Music, Jazz and Music and Media Production, Stockholm, Sweden.
Session 7 – 2:45-3:45 pm – Frist B
Robert Willey, Moderator
A Strong Wind Could Blow It Over: Understanding the Fragile State of Music Blockchain Development in Contrast to the Antifragile State of Blockchain Tech Generally
George Howard, Associate Professor
Berklee College of Music
Immersive Experiences: The Future of Live Music and VR
Jeff Apruzzese
Assistant Professor/Associate Program Director Drexel University
Session 8 – 2:45-3:45 pm – Janet Ayers Room B/D
Monika Herzig, Moderator
What are the Factors in the Artist-Label Relationship that Positively Influence Creative and Commercial Success?
Rob Cannon
Program Leader, Arts & Entertainment Management
Australian Institute of Music
Teaching Artist Management Virtually Through Stages of the Artist Career
Terry Tompkins
Assistant Professor and Coordinator, Music Business Hofstra University
Session 9 – 4:00-5:30 pm – Frist A
Wald, Melissa, Moderator
Effective Teaching: Adding Flavor with Kahoot!
Eric Holt
Assistant Professor of Music Business Belmont University
Amy Smith
Assistant Professor of Music Business Belmont University
College Rock Music Festivals in India as Industry-Based Education
Kristina Kelman
Lecturer, Music and School of Creative Practice Queensland University of Technology
David Cashman
Associate Professor of Contemporary Music Southern Cross University
Utilizing Active Learning and Backwards Design to Articulate Learning Outcomes and Maximize Student Learning: An Integrating Model of Formative and Summative Assessment
Joseph (Joe) Miglio
Associate Professor, Music Business/Management
Berklee College of Music
Session 10 – 4:00-5:30 pm – Frist B
Scott LeGere, Moderator
“Second Verse, Same as the First?” An Examination of the Evolution of Entertainment Management Academics
Andy Gillentine
Professor, Sport and Entertainment Management
University of South Carolina
Armen Shaomian
Associate Professor, Sport and Entertainment Management University of South Carolina
Redefining the Role of the Sound Engineer: Applying the Theories of Cage, Schafer, and Lomax Towards Establishing a Critical Cultural Approach to Sound Engineering
Jonathan P. Pluskota
Assistant Professor
University of Southern Mississippi
Black Box Royalties are Coming: Courtesy of the MMA
John Simson
Executive in Residence and Program Director, Business & Entertainment, Kogod School of Business American University
Saturday March 23, 2019
Session 11 – 9:15-10:15 am – Frist A
Stan Renard, Moderator
Mechanical Licensing Before and After the Musical Works Modernization Act
Serona Elton
Associate Professor, Interim Associate Dean of Administration, and Director of the Music Business and Entertainment Industries Program
University of Miami, Frost School of Music
Publishing Photograph That Had “Gone Viral” Ruled Copyright Infringement: Otto v. Hearst Publications, Inc.
Vincent Peppe
Lecturer
Belmont University
Session 12 – 9:15-10:15 am – Frist B
Christopher Reali, Moderator
New York 5 to 9: Studying the City That Never Sleeps
Mehmet Dede
Assistant Professor of Music Industry The Hartt School at the University of Hartford
Engaging Students in the Advancement of a Music Economy: A Case Study
Storm Gloor
Associate Professor, Music and Entertainment Industry Studies University of Colorado Denver
Session 13 – 9:15-10:15 am – Janet Ayers Room B/D
Keith Hatschek, Moderator
The Development of the Artist-Fan Engagement Model
Sarita M. Stewart Associate Professor Belmont University
Constructing Credibility: How Aggrandizement Helps Perform an Identity of Legitimacy and Self- Worth in a Creative Industry
David Schreiber
Chair and Assistant Professor of Entertainment Industry Studies
Belmont University
Alison Rieple
Professor of Management & Marketing University of Westminster (UK)
Session 14 – 10:30-11:30 am – Frist A
Misty Jones, Moderator
What they Post, Where they Post and When they Post It: A Content Analysis of Social Media Use of the Top 50 Artists in 2018
Ulf Oesterle
Assistant Professor, Bandier Program
Syracuse University
Using Movies to Teach Music Business
Clyde Philip Rolston
Professor, Curb College of Entertainment and Music Business Belmont University
Session 15 – 10:30-11:30 am – Frist B
Don Gorder, Moderator
Composing Copyright: Music and Image in American Intellectual Property Law
Jason Lee Guthrie Assistant Professor Samford University
Technological Disruption and Music Copyright
Victoriano Darias Director of Academic Affairs Berklee Valencia
Session 16 – 10:30-11:30 am – Janet Ayers Room B/D
Shawn David Young, Moderator
Teaching Digital Marketing and Social Media Strategy for the Entertainment Industry
Justin Sinkovich
Associate Professor and Masters of Arts Management Graduate Program Director Columbia College Chicago
How Marketing Professionals Use and Staff Social Media Efforts in Entertainment Venues
Philip Rothschild
Associate Professor of Entertainment Management Missouri State University
Session 17 – 2:45-3:45 pm – Frist A
Armen Shaomian, Moderator
Staying Relevant: How a Radio Behemoth Has Weathered the Storms of Change to Survive in the New Media Market of the 21st Century
Kim L. Wangler
Director of Music Industry Studies
Appalachian State University
Lessons Learned from the Master of Space and Time: Leon Russell
Andy Gillentine
Professor of Sport & Entertainment Management University of South Carolina
Session 18 – 2:45-3:45 pm – Frist B
Chrissie Vincent, Moderator
Now Available on Cassette—Again: Record Retailer Experiences of Current Cassette Tape Sales
Waleed Rashidi
Assistant Professor California State University, Fullerton
Beyond the Grave: Variables Contributing to Increased Music Consumption after an Artist’s Death
Stan Renard
Assistant Professor of Music Marketing
The University of Texas at San Antonio
Richard T. Gretz
Associate Professor of Marketing The University of Texas at San Antonio
Session 19 – 2:45-3:45 pm – Janet Ayers Room B/D
Carl Anderson, Moderator
Sweetwater Sound: The WHY, HOW, and WHAT Behind the Success
Robert Willey
Associate Professor of Music Media Production and Industry
How the Drop Changed Pop: The Influence of Dubstep in Modern Pop Song Form and Production
Misty Jones Simpson Assistant Professor, Audio Production Middle Tennessee State University
Academic Papers Program_2019 .pdf