2006
Music Industry Education Summit
Saturday, November 11, 2006 (9:00 AM --
5:00 PM)
Check in and welcome reception -- Friday, November 10 at 6:00 PM at the
Curb
Café, Belmont University.
Closing reception -- Saturday, November 11 at 5:30 PM at the
The Recording Academy® headquarters.
3:30 PM - 4:45 PM
Session IV – Record
Technology/Production
Trina Shoemaker –Engineer/Producer
Born in June of 1965 in
Joliet, IL, southwest of Chicago. Working class family. Two
sisters, one older, a computer programmer, one younger, a PhD in solid
state physics. Moved to Los Angeles at 18years old to become a
"record producer"... of course, no knowledge of what that really meant,
just wanted to record music. I studied the photos in the album
jackets of my youth and wanted to be in that room with all of the
knobs. Being a control freak, but not wanting to make people
angry and hate me, an engineer seemed a perfect outlet for my need to
control an environment. I can turn the music up, or down.
Turn the lights up, or down, etc. Could not get hired in a studio
in LA in the 80's, so I worked as a secretary at Capitol Records.
Did well. Hated it. Hung out down by the studio hoping to
be hired as a runner. No way. Left Capitol, moved to
England, backpacked from Amsterdam to Istanbul. Went to Israel,
went to Thailand. Back in LA, broke, unemployed, unhappy.
Took a recording course at LA Recording Workshop. Back before
Tools (shortly after the Big Bang). Learned how to line up analog
recorders and solder. Got on a plane to New Orleans. Didn't
know a soul. Had $357.00. Applied at all studios.
Hired as a maid at Ultrasonic Studio (now destroyed). First
sessions I cleaned up after were Gatemouth Brown and Cyril Neville and
the Uptown Allstars. Then Erma Thomas. Stunned by the
simplicity and beauty of blues recordings. Lied to George Porter
of the Meters. Told him I was a highly experienced live sound
engineer from LA. Got found out, but continued doing live sound
for him on weekends at "Muddy Waters" (now destroyed). Met the
Lanois gang by pure accident. Started making cables and patchbays
for Dan at Kingsway Studio in the French Quarter. Also cleaned
his motorcycles and did laundry. Eventually became house
engineer at Kingsway. Recorded lots of cool people. Left
Kingsway to be independent (both brave and stupid thing to do).
No work. Met Sheryl Crow... made some records, got some
Grammy's. Work, work, work. Travel, travel, travel.
Tired and very lonely. Many years later (2003), met my boyfriend,
Grayson Capps, in New Orleans. Had a little boy, Waylon (love of
my life). Lost my home and studio and city and friends in the
flood. Moved to Tennessee. Mixing mostly these days.
Doing alright.
George Massenburg –
Engineer/Producer
Massenburg’s many areas
of expertise include sound recording, audio engineering, record
production, audio electronics, automation systems, realtime software
design, music and recording room acoustics. He has participated
in over 200 albums for artists including Billy Joel, James Taylor, Lyle
Lovett, Dixie Chicks and Linda Ronstadt among man others.
Justin Neibanks –
Engineer/Producer
Jeff Balding –
Engineer/Producer
Co-owner, Producer,
Engineer for Underground Sound. Balding started this pro audio rental,
sales and cartage company over 14 years ago. With a recent GRAMMY
Nomination for Engineering, his credits include Shania Twain, Faith
Hill, Lee Anne Womack, Lonestar, Amy Grant and Trisha Yearwood.
Chris Haseleu - Chair, Professor of Recording Industry, MTSU
Chris Haseleu, Chair of the
Department and professor of recording industry, received his B.A.
degree in humanities from Callison College of the University of the
Pacific and his M.A. degree in broadcast communication arts from San
Francisco State University. He studied electronics at the College of
San Mateo, arts management at the Union Graduate School and industrial
psychology at Middle Tennessee State University. Mr. Haseleu was the
founder and director of the MTSU Center for Recording Arts and
Sciences. He received MTSU's Outstanding Teacher Award in 1984. Mr.
Haseleu was a contributing editor to Mix Magazine, specializing in
articles about the establishment and operation of recording studios. He
is a member of the Audio Engineering Society, the National Academy of
Recording Arts & Sciences, the Society of Professional Audio
Recording Services, and the Music and Entertainment Industry Educators
Association.
Dave Tough, Visiting Assistant
Professor of Audio Engineering Technology - Belmont University
Dave Tough
(www.davetough.com) is a producer and artist based in Nashville, TN who
has spent the majority of his life creating music. Dave began on
saxophone and piano moving to jazz drums like his famous great uncle
Dave Tough (a mere coincidence) a few years later. Growing up he was
playing drums and bass to Beatles and Tom Petty albums and recording
bands in his basement. Dave Tough has produced, engineered and written
for several artists in Nashville and Los Angeles including Cindi Alter
of Clout fame, Jake Simpson, Come and Go, and Matt Heinecke. While in
Los Angeles, Tough worked and studied under engineering names such as
Bruce Swedien and Neil Citron. Tough has also worked as an employee for
Capitol Records, Warner Chappell Music, TAXI, BMG and EMI among others.
As an solo artist, Tough has released two solo albums Gravity Always
Wins (2005) and I'm Right Here (1999). Tough has been recording
educator at UCLA, Belmont University, Cal Poly University and the
University of Northern Alabama in Muscle Shoals, AL. Tough currently
resides in Nashville, TN where he produces artists and teaches music
recording at Belmont and plays bass in Bueller, www.buellerband.com,
the worlds greatest 80s cover band.
Back
to Summit Agenda
Registration
for MEIEA members is $60.
Registration for non-members is $200.
Rooms blocked at the Courtyard Marriott, Nashville
Summit
rate is $99
per night.
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is open and seats are filling fast!!!
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NOTE: Panelists and schedule subject to change without notice.