|
“The
Current State
of Classical Music Recording and Production in the
Digital Era”
Kim L. Wangler and Scott D. Wynne, Appalachian State University
|
|
“Copyright
Law and
the Digitalization of Music Library Reserves”
Serona Elton, University of Miami |
|
“Audio
Mashups and
Fair Use: The Nature of the Genre,
Recontextualization, and the Degree of Transformation”
Todd Herreman, Southern Illinois University
|
|
“The
Use of NSEE
Standards for the Planning, Supervision, and
Evaluation of Music Industry Internships”
Guillermo Mager, University of New Haven |
|
“Does
the Nonprofit
Model Fit the Recording Industry? An Investigation
of Sector- Bending by Record Labels”
Richard Strasser, Northeastern University |
|
“Current
Trends in
the Media Industry and its Correlative Effect upon
Curricular Instruction in our Academic Institutions”
Marcia A. Lewis, Valparaiso
University |
|
“David
Blakely: The
“Ladies Orchestra” Project 1891-92”
Ava Lawrence, Northeastern University |
|
“Determinant
Attributes in the Burn or Buy Decision: An Exploratory
Study”
Storm Gloor, University of Colorado-Denver and Clyde Philip Rolston,
Belmont University |
|
“A
Quantitative
Analysis of the Factors Attributed to Debut Releases
for Artists that Attained Gold, Platinum, and Multi-Platinum Certified
Sales From
1999-2008”
Terry Tompkins, Drexel University and Clyde Philip Rolston, Belmont
University |
|
“Music
Industry
Education in Europe: A Representative Analysis”
Don Gorder, Berklee |
|
“Word-of-Mouth
Methods: Investigating the Use of Non-Traditional
Marketing in Sports and Entertainment Venues”
Philip Rothschild, Missouri State
University |
|
“Testing
‘The Long
Tail’: Building an International Network of
Student-Run Music Companies to Assess New Music Business Models”
Guy Morrow, Macquarie
University |